In addition to this, the Consulate showed the team 327 objects, out of which 251 were found to be historically important antiques. This also contained the 56 terracotta objects returned by the Toledo Museum (Ohio) which was originally gifted to them by Subhash Kapoor. A majority of the terracotta belonged to Chandraketugarh, West Bengal, a prominent site of terracotta art in the first decade, CE. The rest comprised terracotta objects of Harappan culture and of the Gupta period.
Simon served as a trustee of the Los Angeles County Museum of History, Science and Art and supported the development of the LA County Museum of Art. Simon initially lent most of his art collection to that Museum although as it expanded he pioneered the "museum without walls" concept by actively lending his collection to different museums around the world.
The India Pride Project, a volunteer group set up after the Indian governments’ shoddy investigations and lame attempts to bring back smuggled art treasures frustrated, has taken to social media and online activism. Over the last four years, this group has painstakingly built a volunteer sourced image archive of Indian art works now being housed in overseas museums and art auction houses.
“Further, 232 objects comprising of brass and copper alloys, gold with enamel work, silver, stone and terracotta in possession of the Indian consulate were also inspected by the ASI officials. Among them, few were identified as antiquities, like the stone image of the Buddha of Mathura School, a terracotta image of the Buddha belonging to the Gupta period and a set of 10 copper plates engraved with Quranic verses of the late Mughal Period,” the ASI said.
Subhash Kapoor, an art smuggler, is accused of running a major smuggling racket from South India. He has helped many international collectors and museums illegally acquire millennia old Chola bronzes and exquisite sculptures. Ongoing investigations have led to the discovery of 2622 items worth Rs 800 crore smuggled out of India. Despite all this collectors and museums across the world are refusing to divulge information about their illegal acquisitions of valuable Indian art.
We can now reveal more information as to why the museum has changed its stand, with information obtained from persons who are in the know of the Kapoor operations. The bronze has an apparent provenance paper authored by the previous owner Dr. Leo S. Figiel dated April 13, 2005, where he claims to have purchased “the small Chola figure of Shiva and Parvati – from a European collector in 1969”. (Dr. Leo Figiel, was a well known collector of Indian vernacular art ( is now deceased – died Feb 2013) and is now suspected of having a working arrangement with Subhash Kapoor’s activities.)
When he was sixteen, Simon and his family relocated to San Francisco, where had graduated from high school in 1924. In 1925, at his father's insistence, he enrolled in the University of California, Berkeley, but left his pre-law studies within the first six weeks to start a sheet metal distribution company. He enjoyed early success and invested $7000 in 1927 in an orange juice bottling plant in Fullerton, California, which was insolvent, and renamed it Val Vita Food Products Company. He soon added other fruit and vegetables to the product lines and purchased canning equipment.
Oh fuck yes! Look, I'm not a conspiracy theorist, but the art market is a billion-dollar industry. If it [smuggling] is not tolerated on certain levels, the banks would never reach their peaks. I had people on my payroll at customs... it was barely even necessary to smuggle because you could bring it in almost officially so long as you pay a little bit to the right people.
When this worked fine, he could hardly contain his joy, and when he couldn't hear any activity noise outside, at last, he sighed in relief. This didn't last long tho. This damn driver started blasting some of the worst pop songs ever made on the radio... and singing along. Real loud. He could only suffer in silence as music that was terrible even by teenage girls standards drilled into his ears. As for the singing, he was so far off.
Simon was born February 5, 1907 in Portland, Oregon, to Myer and Lillian Simon (née Gluckman). He had two younger sisters, Evelyn and Marcia. Simon's father was a businessman who operated his own wholesale goods store, Simon Sells For Less. though the family's financial situation fluctuated. When he was a child, his parents purchased a cottage in Seaside, Oregon, where he spent time during his youth. His mother died in Seaside when Simon was fourteen of complications stemming from type 1 diabetes.
In 1969, his son Robert Simon committed suicide. Leaving Donald (Norton's other son), Lucille, and Norton shocked. In 1970, he and his wife Lucille Ellis were divorced. In 1971, he married actress Jennifer Jones, the widow of David O. Selznick. He retired from active involvement in his business in 1969. He accepted appointments to the University of California Board of Regents, the Carnegie Commission on the Future of Higher Education, the boards of Reed College (in his hometown of Portland), the Los Angeles Music Center, the California School of Professional Psychology at Alliant International University, and the Institute for Advanced Study.
It may come as a surprise to even the most art-attuned earthlings that the art world actually extends beyond the limits of our home planet. Unknown to many dealers, curators, and other art-loving terrestrials, there is a micro museum on the moon. Conceived of by artist Forrest Myers in 1969, the Moon Museum was established on the lunar surface after works by six contemporary artists arrived with the Apollo 12 mission, the second moon landing. Drawings by Andy Warhol, Robert Rauschenberg, David Novros, Claes Oldenburg, John Chamberlain, and Myers were inscribed onto a ¾-by-½-inch ceramic chip, which then hitched a ride to the moon, covertly affixed to the leg of the Intrepid lunar lander.
How on Earth was Myers able to smuggle a work of art to outer space? After five of his fellow artist friends signed on to the project, Myers began by reaching out to NASA, hoping they would be as excited about the prospect of bringing art to the moon as he was. “They told me a lot of people wanted to send mementos to the moon, and that if I had some big names behind me, I might have a chance,” he said in a New York Times article recounting the story, published on November 22, 1969, two days after the Apollo 12 crew began its return trip to Earth. “I then called a guy in NASA’s public relations division in Houston, who seemed optimistic. So we proceeded on the assumption that we could work through regular channels.”
Instead, on the instructions of a second dealer, Hobby Lobby wired payments to seven separate personal bank accounts, the prosecutors said. The first dealer then shipped the items marked as clay or ceramic tiles to three Hobby Lobby sites in Oklahoma. All of the packages had labels falsely identifying their country of origin as Turkey, prosecutors said.
But Scotland Yard were after him, and he was busted while awaiting a big importation. He skipped bail and fled abroad, loaded a ketch with over a ton of Moroccan resin, and crossed the Atlantic using a sextant and dead reckoning. He eventually offloaded to a New York distributor, only to be caught in a chase through Manhattan; he was sentenced to six years in a penitentiary.
On 21 December 2016, art dealer Nancy Wiener was arrested in New York on charges of possessing stolen property and conspiring to traffic in illicit antiquities. Her gallery, which specialised in south and southeast Asian antiquities, had been raided by federal agents during Asia Week last March, at which time several sculptures were seized. The seizures and her arrest can be seen as part of a broader effort to crack down on the illicit trade in Asian antiquities. In 2011, for example, Indian authorities arrested the Manhattan-based dealer Subhash Kapoor on charges of theft and smuggling, while over the last few years, museums and auction houses have voluntarily repatriated a number of sculptures that had been trafficked from Cambodia. The art world has long recognised that Mediterranean antiquities are at high risk of theft and looting, and participants in the trade are now on notice that archaeological materials from around the globe are to be bought and sold with extreme caution.
I'm not going to bullshit you. Single shipments from Russia were between one and three million, which in the 60s was a lot of money. And these were regular trips-twice a month. It was raining money so I made my base in Beirut. Moneywise Beirut was a free banking market, so you could exchange a million dollars completely open on the square and no one would ask any questions. Of course you had to play the cat and mouse game with Interpol.
Look, I've been shot at on three separate occasions, I've had guns on my head, I've had police chasing me... To survive I have been a chameleon. As you know, I speak many languages. Also, I'm not attached to anything. It's like living near a fault line-if you hear a noise, pack your things and get the fuck out of there. Don't become too accustomed to anything. I can sleep like a baby on a little field bed.
It didn't seem to calm him down. Maybe he was claustrophobic, or just upset at the prospect of getting stuck in customs? Celian was starting to feel bad for him; he gently put him in the box and said in a softer tone : "Take it easy there buddy. I've worked in a post office before, I can handle it. I'll make sure you're delivered in no time! oh and don't worry, I won't tell anyone about your tastes in music..."
Happy with my work, the next time he took me to Armenia. He was smuggling of course, and when we got there we had drinks with the chief of police. There was a big organization bringing in lots of pieces from Moscow and Leningrad. The Russians and the Armenians were like mafia clans. They were very well-organized and working together. From there we took a bunch of art and flew to Beirut-the customs there were in on the game. We paid them off. That was basically the first time I smuggled on a large scale.