Regardless of how a museum shares information about provenance, the most important goal is to be as forthcoming and accurate as possible. To that end, documenting an object’s provenance may involve not just tracing its history of ownership (what do we know?), but also recording the sources of that information (how do we know it?), and noting the differences between verified and unverified data. Information about provenance can come from verbal statements, circumstantial evidence, or attestations provided by a seller or donor that have not been (and often cannot be) corroborated. Museum records should reflect these uncertainties and any vague or hypothetical statements.
It didn't seem to calm him down. Maybe he was claustrophobic, or just upset at the prospect of getting stuck in customs? Celian was starting to feel bad for him; he gently put him in the box and said in a softer tone : "Take it easy there buddy. I've worked in a post office before, I can handle it. I'll make sure you're delivered in no time! oh and don't worry, I won't tell anyone about your tastes in music..."
Morland was heir to a Quaker dynasty and lived a gilded youth: his father was a renowned physician and his mother was a key figure in modern art, friend of George Orwell and Henry Moore. At 6ft 3in tall, good-looking and well-connected, he skied for England, had a beautiful wife and children, a London des-res, a farmhouse in Malta and the world at his feet.
I also learned to drink in Russia, because if you didn't drink with them they didn't trust you. So I learned to buy the icons like this [holds a hand over one of his eyes to show how drunk he was]. I really learned the basics there. The Russians are very educated. I had a great time, which made me forget that this was my university. This was the first time I learned about big smuggling. There was a black market and I became an outlet who had the possibilities to market everything in the West.
With the growing profits from Hunt Foods, he began buying stock in other undervalued companies with growth potential, many of which were still undervalued following the loss of confidence in equities after the Great Depression. He diversified through acquisition into well known businesses such as McCall's Publishing, the Saturday Review of Literature, Canada Dry Corporation, Max Factor cosmetics, the television production company Talent Associates, and Avis Car Rental, through his holding company Norton Simon Inc. (Norton Simon Inc. was formed in 1968 through the merger of Hunt Foods, McCalls Publishing and Canada Dry Corporation.) Many of these businesses had extensive interests outside the United States. Norton Simon Inc. was later acquired by Esmark in 1983, which merged with Beatrice Foods the next year. Beatrice was sold to ConAgra in 1990.
But at-least for Indian antiquities, the 1969/70 cut-off is no holy grail. There are other legal provisions for ensuring the return of smuggled artifacts. These include the Antiquities and Art Treasures Act, 1972 which can be read in addition to Ancient Monuments Preservation Act, 1904, the Ancient Monuments and Archaeological Sites and Remains Act, 1958 or even the Indian Treasure Trove Act of 1878.
How on Earth was Myers able to smuggle a work of art to outer space? After five of his fellow artist friends signed on to the project, Myers began by reaching out to NASA, hoping they would be as excited about the prospect of bringing art to the moon as he was. “They told me a lot of people wanted to send mementos to the moon, and that if I had some big names behind me, I might have a chance,” he said in a New York Times article recounting the story, published on November 22, 1969, two days after the Apollo 12 crew began its return trip to Earth. “I then called a guy in NASA’s public relations division in Houston, who seemed optimistic. So we proceeded on the assumption that we could work through regular channels.”
Hundreds of bronze works like the Alingana Murthy were buried for centuries and were almost lost to the world because those who buried them probably died during the invasions. The Alingana Murthy and Parvathi are coming back home to take their place – thanks to the India Pride Project. Hundreds of other priceless Indian art treasures await their turn.
Still swirling around the market are persistent rumours that there is even more to the treasure than the known 14 pieces. Archaeologists claim that such finds always include spoons and coins, which were missing when the pieces started coming onto the market. Many believe they are still languishing in Swiss bank vaults, with the owner(s) waiting for the provenance issues to be cleared up entirely. It is to be ardently hoped that one day the whole hoard, in all its magnificence, will be returned to Hungary to be displayed together once again.