I'm not going to bullshit you. Single shipments from Russia were between one and three million, which in the 60s was a lot of money. And these were regular trips-twice a month. It was raining money so I made my base in Beirut. Moneywise Beirut was a free banking market, so you could exchange a million dollars completely open on the square and no one would ask any questions. Of course you had to play the cat and mouse game with Interpol.
Happy with my work, the next time he took me to Armenia. He was smuggling of course, and when we got there we had drinks with the chief of police. There was a big organization bringing in lots of pieces from Moscow and Leningrad. The Russians and the Armenians were like mafia clans. They were very well-organized and working together. From there we took a bunch of art and flew to Beirut-the customs there were in on the game. We paid them off. That was basically the first time I smuggled on a large scale.
Simon was born February 5, 1907 in Portland, Oregon, to Myer and Lillian Simon (née Gluckman).[1] He had two younger sisters, Evelyn and Marcia.[2] Simon's father was a businessman who operated his own wholesale goods store, Simon Sells For Less.[3] though the family's financial situation fluctuated.[2] When he was a child, his parents purchased a cottage in Seaside, Oregon, where he spent time during his youth.[2] His mother died in Seaside when Simon was fourteen of complications stemming from type 1 diabetes.[4]
The India Pride Project, a volunteer group set up after the Indian governments’ shoddy investigations and lame attempts to bring back smuggled art treasures frustrated, has taken to social media and online activism. Over the last four years, this group has painstakingly built a volunteer sourced image archive of Indian art works now being housed in overseas museums and art auction houses.
“If it is true that they’ve succeeded... by some clandestine means,” NASA’s assistant administrator for public affairs, Julian Scheer, said in 1969, “I hope that the work represents the best in contemporary American art.”Indeed, each artist’s contribution to the Moon Museum is representative of his own signature style. On the top register, Warhol’s tongue-in-cheek depiction of his initials in the guise of a penis is positioned next to a crude line by Rauschenberg and Novros’s black square marked by angular lines. Below, a Mickey Mouse drawing by Oldenburg is flanked by Myers’s serpentine abstraction and Chamberlain’s circuit-like diagram. Existing in fewer than 20 editions, including one now owned by the Museum of Modern Art, the Moon Museum is also one of the 1960s’ rarest multiples.
However, probably the most dramatic case of looted antiquities concerns the notorious £100m ($167m) Sevso treasure, a magnificent cache of late Roman silver dating from the fourth or fifth Century AD and comprising inlaid platters, ewers and bowls, which was unearthed in the 1970s, almost certainly in Hungary. The finder, a Hungarian soldier, was later found hanged in a cellar, and two of his friends died in unexplained circumstances. The silver – contained in a giant copper cauldron which he had buried in the cellar – had disappeared.
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