The reality is, the presence of the Moon Museum in outer space has yet to be confirmed by subsequent lunar missions. It may even sound like something ripped from the pages of a pulp science fiction novel, or from the annals of conspiracy theories, rather than art-historical fact. But if we are to believe the telegram Myers received two days before the Apollo 12 launch, “‘YOUR ON’ A.O.K. ALL SYSTEMS GO,” signed “JOHN F,” our planet’s nearest satellite may also be the most distant museum in our universe.
Despite every best effort, many museums have made acquisition mistakes in the past and unwittingly accessioned works of art that were stolen from storerooms or plundered from archaeological sites. No museum should deaccession an object without having a justifiable reason for doing so. If, however, an investigation turns up looted antiquities in a museum collection (for example, if photographs show an object shortly after it was illicitly removed from the ground, or if its provenance documentation was demonstrably forged), then a museum has an obligation to redress the break in the chain of that object’s ownership in some way. Usually such a resolution is achieved through a financial settlement with, or physical return to, the country of modern discovery. Museums hold their collections as public trusts, and no museum should wish knowingly to retain stolen property on behalf of the public.
Still swirling around the market are persistent rumours that there is even more to the treasure than the known 14 pieces. Archaeologists claim that such finds always include spoons and coins, which were missing when the pieces started coming onto the market. Many believe they are still languishing in Swiss bank vaults, with the owner(s) waiting for the provenance issues to be cleared up entirely. It is to be ardently hoped that one day the whole hoard, in all its magnificence, will be returned to Hungary to be displayed together once again.
I'm not going to bullshit you. Single shipments from Russia were between one and three million, which in the 60s was a lot of money. And these were regular trips-twice a month. It was raining money so I made my base in Beirut. Moneywise Beirut was a free banking market, so you could exchange a million dollars completely open on the square and no one would ask any questions. Of course you had to play the cat and mouse game with Interpol.
But Scotland Yard were onto him, and he was arrested while awaiting delivery of large importation. He skipped bail and fled abroad, fitted out a wooden ketch, loaded it with a ton-and-a-half of cannabis resin and crossed the Atlantic, using a sextant and dead reckoning. He eventually sailed up the Hudson and unloaded to a New York distributor, only to be caught in chase through the streets of Manhattan and sentenced to six years in a penitentiary.
Bonhams and Christie’s say that they had done research on their pieces, but were hampered by Italian authorities’ refusal to make the photographic database available to auction houses: “While we have a careful due diligence process in all other respects we have no way, without the co-operation of the Carabinieri, of checking this particular database. This case illustrates why that co-operation would be helpful,” said a spokesperson for Christie’s. As for the Roman statue, it was put on display in a New York art fair last year – but failed to sell. The US authorities are hoping to return it to Italy.