Despite every best effort, many museums have made acquisition mistakes in the past and unwittingly accessioned works of art that were stolen from storerooms or plundered from archaeological sites. No museum should deaccession an object without having a justifiable reason for doing so. If, however, an investigation turns up looted antiquities in a museum collection (for example, if photographs show an object shortly after it was illicitly removed from the ground, or if its provenance documentation was demonstrably forged), then a museum has an obligation to redress the break in the chain of that object’s ownership in some way. Usually such a resolution is achieved through a financial settlement with, or physical return to, the country of modern discovery. Museums hold their collections as public trusts, and no museum should wish knowingly to retain stolen property on behalf of the public.
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Seeking a permanent home for his collection of over 4,000 objects, in 1972 he welcomed an overture from the financially troubled Pasadena Museum of Modern Art. He ultimately assumed control and naming rights, and in 1974 it was renamed the Norton Simon Museum. In 1987, the University of California, Los Angeles, announced an "agreement in principle" with Simon for the transfer to the university of the art collection owned by two Simon foundations – the Norton Simon Foundation and the Norton Simon Art Foundation. The plan was to keep most of collection in Pasadena, administered by UCLA, the Simon board and the Norton Simon Foundation. The university was to build a separate museum facility on campus for part of the collection. However, Simon withdrew his offer three months after the announcement was made.
He hasn't given many interviews over the past six years, but I managed to track him down for a chat. After learning I did a bit of unlicensed boxing before becoming a journalist, Michel took a liking to me, as he is a fighter himself. He once had so many contracts on his head that Scotland Yard detectives allegedly placed bets on how long he had left to live before he was murdered by a hitman.
Still swirling around the market are persistent rumours that there is even more to the treasure than the known 14 pieces. Archaeologists claim that such finds always include spoons and coins, which were missing when the pieces started coming onto the market. Many believe they are still languishing in Swiss bank vaults, with the owner(s) waiting for the provenance issues to be cleared up entirely. It is to be ardently hoped that one day the whole hoard, in all its magnificence, will be returned to Hungary to be displayed together once again.
But Scotland Yard were after him, and he was busted while awaiting a big importation. He skipped bail and fled abroad, loaded a ketch with over a ton of Moroccan resin, and crossed the Atlantic using a sextant and dead reckoning. He eventually offloaded to a New York distributor, only to be caught in a chase through Manhattan; he was sentenced to six years in a penitentiary.
Well, I'd been on the run and was eventually arrested at my villa in Marbella.I knew one of the Italian godfathers of the mafia who also has a villa there. We are great friends. So within ten minutes of being arrested, his counsellor was in my cell. He said, "Felice cannot come but he sent you his kind regards," so then I was sent to Madrid where I dined with a very important member of the police. He arranged for me to go to prison there instead of being extradited to France where they were really after me. I had the best time of my life in jail [in Madrid]. I had the guarantee I was coming out in a year and I bought a cell phone from one of the ETA boys in there. It was like that movie Goodfellas. I had my own kitchen, my own shower, and every day I could bribe one of the guards to go to the market-it was fantastic.